MIU

MIU may refer to:

Notes

Don't Talk

Don't Talk may refer to:

We Don't

We Don't is an album by American jazz saxophonist Jemeel Moondoc with drummer Denis Charles, which was recorded in 1981 but not issued until 2003 by the Eremite label. The title track is a traditional Caribbean tune.

Reception

In his review for AllMusic, Steve Loewy states "Jemeel Moondoc and Denis Charles are in outstanding form, with the saxophonist wailing passionately for the length of the album and the drummer egging him on with characteristic panache."

The Penguin Guide to Jazz notes that "Saxophone and drums is a tough discipline, sanctified by John Coltrane's duets with Rashied Ali. These are harsher and more abstract sessions, and the more reallistic parallel might be Ornette Coleman and Ed Blackwell."

The All About Jazz review by Clifford Allen states "As far as continua are concerned, We Don't is neither fire- breathing heaviness nor ice-cold experimentation, but a creative and energetic ride through the dictions of two of the most original voices on their instruments."

The JazzTimes review by Bill Shoemaker says "A passionate duo exchange with alto saxophonist Jemeel Moondoc, We Don't is a fine companion volume to a 1991 recording issued under Charles' leadership, Captain of the Deep, which also featured Moondoc."

Contact

Contact may refer to:

Social interaction

Mathematics, engineering and science

Games and sport

We Don't Talk Anymore

"We Don't Talk Anymore" is a song recorded by Cliff Richard that reached number one in the UK Singles Chart in August 1979, remaining there for four weeks. Produced by The Shadows' rhythm guitarist, Bruce Welch, and written by Alan Tarney, it was Cliff Richard's tenth UK number one and his first since "Congratulations" in 1968.

Coming just before his 39th birthday, and just when it was announced that he was to receive the OBE for services to music, the record cemented his comeback, which continued well into the 1980s and 1990s. The single was his biggest worldwide seller: it was number one in Germany for five weeks (his only English-language German chart-topper, though he had two German-language number ones there in the 1960s), and reached number seven on the Billboard Hot 100 singles chart in the United States. The fact that its chart run extended beyond the end of 1979 meant Richard became the first act to reach the Hot 100's top 40 in the 1950s, 1960s, 1970s and 1980s.